Pilot-Flame I
Pilot-Flame I
Diptych, total price: 1.200 €
2022
2022
Handwoven tapestry, aluminium wire
Handwoven tapestry, aluminium wire
39 x 32 cm
39 x 32 cm
"Walls tearing up from behind a photo, appearing faces formed by the ice on the window, mysterious light in the sky or a recurring noise without a source. Coincidences that can believed to be messages from “another world” to those who are seeking answers for the unexplainable With the appearance of electricity the range of possibilities for misunderstandings expanded. Various media devices can be interpreted as a gateway to mysterious apparitions, as a channel to communicate with the beyond. They can become the base of the faith of a small community, opening new doors to further misbeliefs. In these pieces I depict scenes of an imagined legend originated from the border of a small village where cornfields separate the space of life and death: the village and the cemetery."
"Walls tearing up from behind a photo, appearing faces formed by the ice on the window, mysterious light in the sky or a recurring noise without a source. Coincidences that can believed to be messages from “another world” to those who are seeking answers for the unexplainable With the appearance of electricity the range of possibilities for misunderstandings expanded. Various media devices can be interpreted as a gateway to mysterious apparitions, as a channel to communicate with the beyond. They can become the base of the faith of a small community, opening new doors to further misbeliefs. In these pieces I depict scenes of an imagined legend originated from the border of a small village where cornfields separate the space of life and death: the village and the cemetery."
Pilot-Flame II
Pilot-Flame II
Diptych, total price: 1.200 €
2022
2022
Handwoven tapestry, aluminium wire
Handwoven tapestry, aluminium wire
25 x 35cm
25 x 35cm
Walls tearing up from behind a photo, appearing faces formed by the ice on the window, mysterious light in the sky or a recurring noise without a source. Coincidences that can believed to be messages from “another world” to those who are seeking answers for the unexplainable. With the appearance of electricity the range of possibilities for misunderstandings expanded. Various media devices can be interpreted as a gateway to mysterious apparitions, as a channel to communicate with the beyond. They can become the base of the faith of a small community, opening new doors to further misbeliefs. In these pieces I depict scenes of an imagined legend originated from the border of a small village where cornfields separate the space of life and death: the village and the cemetery.
Walls tearing up from behind a photo, appearing faces formed by the ice on the window, mysterious light in the sky or a recurring noise without a source. Coincidences that can believed to be messages from “another world” to those who are seeking answers for the unexplainable. With the appearance of electricity the range of possibilities for misunderstandings expanded. Various media devices can be interpreted as a gateway to mysterious apparitions, as a channel to communicate with the beyond. They can become the base of the faith of a small community, opening new doors to further misbeliefs. In these pieces I depict scenes of an imagined legend originated from the border of a small village where cornfields separate the space of life and death: the village and the cemetery.
Emese Kádár (b. 1995, Debrecen) is a Budapest-based artist who graduated in 2019 with a degree in painting from the Hungarian University of Fine Arts. Her work explores the impact of digitalization on emotions and belief systems, as well as its intersections with traditional practices. Since 2021, she has been focused on the belief systems, rituals, and motifs associated with grief and the fear of death. Her primary medium is tapestry weaving, and since 2022, she has begun transferring digital drawings onto gypsum plates. After receiving her diploma, her works have been exhibited in Hungary, Germany, and Austria. She has won several awards and scholarships, including the American Tapestry Alliance Student Award, the Derkovits-Scholarship, the Smohay-Prize, and the Esterházy Art Dating Grand Prize in 2023. In 2021, she was shortlisted for the Esterházy Art Award, and in 2024, for the MODEM Award. Her works have been exhibited at MODEM, the Ludwig Museum, Q Contemporary, as well as the Danube Museum and the Post Museum.
Emese Kádár (b. 1995, Debrecen) is a Budapest-based artist who graduated in 2019 with a degree in painting from the Hungarian University of Fine Arts. Her work explores the impact of digitalization on emotions and belief systems, as well as its intersections with traditional practices. Since 2021, she has been focused on the belief systems, rituals, and motifs associated with grief and the fear of death. Her primary medium is tapestry weaving, and since 2022, she has begun transferring digital drawings onto gypsum plates. After receiving her diploma, her works have been exhibited in Hungary, Germany, and Austria. She has won several awards and scholarships, including the American Tapestry Alliance Student Award, the Derkovits-Scholarship, the Smohay-Prize, and the Esterházy Art Dating Grand Prize in 2023. In 2021, she was shortlisted for the Esterházy Art Award, and in 2024, for the MODEM Award. Her works have been exhibited at MODEM, the Ludwig Museum, Q Contemporary, as well as the Danube Museum and the Post Museum.