In this series of five photographs, anonymous figures, gestures, and traces of ritual unfold quietly against the larger backdrop of urban life. Each image captures a fragment of the quotidian—routine movements, acts of maintenance, offerings, waiting—moments too ordinary to be noticed, yet too intimate to be ignored. The series draws inspiration from Chris Marker’s Sans Soleil, in its meditative approach to memory, travel, and fleeting observation, as well as Wim Wenders’ Perfect Days, where human presence is rendered poetic through repetition, stillness, and tasks of care. The images share a common trait: anonymity. Not in erasure, but in preservation. By reframing identity, the photographs offer a kind of anonymity that speaks to collective solitude—a tension between the personal and the public, the individual and the city. Thematically, the work evokes the quiet poetry of individuality within anonymity—how a city forgets slowly, and how lives, though unmarked, leave quiet imprints.