Interferências Sol
Interferências Sol
750 €



2025
2025
Acrylic on canvas
Acrylic on canvas
100 x 80cm
100 x 80cm
Geometric abstraction rooted in real-world forms: typography, architecture and urban patterns, transformed into layered compositions. Simple shapes combine to create complex structures. Using acrylic with a glazing medium makes semitransparent layers overlap and interact. This series of three paintings is based on identical forms rendered in different color sets, referencing printmaking, which I studied. The series is an interpretation of the concept of multiplicity/multiplication. The core idea: simple elements form a complex whole. We all build our perception from fragments of what we see. These parts, memories, thoughts, impulses coexist and accumulate, shaping individual realities. We are structures built from pieces. Nothing is explicit.
Geometric abstraction rooted in real-world forms: typography, architecture and urban patterns, transformed into layered compositions. Simple shapes combine to create complex structures. Using acrylic with a glazing medium makes semitransparent layers overlap and interact. This series of three paintings is based on identical forms rendered in different color sets, referencing printmaking, which I studied. The series is an interpretation of the concept of multiplicity/multiplication. The core idea: simple elements form a complex whole. We all build our perception from fragments of what we see. These parts, memories, thoughts, impulses coexist and accumulate, shaping individual realities. We are structures built from pieces. Nothing is explicit.
Interferências Lua
Interferências Lua
750 €



2025
2025
Acrylic on canvas
Acrylic on canvas
100 x 81cm
100 x 81cm
Geometric abstraction rooted in real-world forms: typography, architecture and urban patterns, transformed into layered compositions. Simple shapes combine to create complex structures. Using acrylic with a glazing medium makes semitransparent layers overlap and interact. This series of three paintings is based on identical forms rendered in different color sets, referencing printmaking, which I studied. The series is an interpretation of the concept of multiplicity/multiplication. The core idea: simple elements form a complex whole. We all build our perception from fragments of what we see. These parts, memories, thoughts, impulses coexist and accumulate, shaping individual realities. We are structures built from pieces. Nothing is explicit
Geometric abstraction rooted in real-world forms: typography, architecture and urban patterns, transformed into layered compositions. Simple shapes combine to create complex structures. Using acrylic with a glazing medium makes semitransparent layers overlap and interact. This series of three paintings is based on identical forms rendered in different color sets, referencing printmaking, which I studied. The series is an interpretation of the concept of multiplicity/multiplication. The core idea: simple elements form a complex whole. We all build our perception from fragments of what we see. These parts, memories, thoughts, impulses coexist and accumulate, shaping individual realities. We are structures built from pieces. Nothing is explicit
Interferências Cosmos
Interferências Cosmos
750 €



2025
2025
Acrylic on canvas
Acrylic on canvas
100 x 81cm
100 x 81cm
Geometric abstraction rooted in real-world forms: typography, architecture and urban patterns, transformed into layered compositions. Simple shapes combine to create complex structures. Using acrylic with a glazing medium makes semitransparent layers overlap and interact. This series of three paintings is based on identical forms rendered in different color sets, referencing printmaking, which I studied. The series is an interpretation of the concept of multiplicity/multiplication. The core idea: simple elements form a complex whole. We all build our perception from fragments of what we see. These parts, memories, thoughts, impulses coexist and accumulate, shaping individual realities. We are structures built from pieces. Nothing is explicit
Geometric abstraction rooted in real-world forms: typography, architecture and urban patterns, transformed into layered compositions. Simple shapes combine to create complex structures. Using acrylic with a glazing medium makes semitransparent layers overlap and interact. This series of three paintings is based on identical forms rendered in different color sets, referencing printmaking, which I studied. The series is an interpretation of the concept of multiplicity/multiplication. The core idea: simple elements form a complex whole. We all build our perception from fragments of what we see. These parts, memories, thoughts, impulses coexist and accumulate, shaping individual realities. We are structures built from pieces. Nothing is explicit
Graduated from the Department of Graphic Art UMCS Lublin Poland. Living and working in Portugal, Polish abstract artist, graphic and motion designer. His paintings focus on the arrangement of stylized geometric figures and the relationships between them, revealed through the translucency of individual layers. He works with acrylics mixed with glazing medium, which gives the paint a semi-transparent quality. This allows him to layer flat shapes, creating increasingly complex structures. Simple forms combine to form a more elaborate whole. Inspiration comes mainly from a passion for typography, architecture, design, and the experience of everyday life shaped by his encounters with both Polish and Portuguese cultures.
Graduated from the Department of Graphic Art UMCS Lublin Poland. Living and working in Portugal, Polish abstract artist, graphic and motion designer. His paintings focus on the arrangement of stylized geometric figures and the relationships between them, revealed through the translucency of individual layers. He works with acrylics mixed with glazing medium, which gives the paint a semi-transparent quality. This allows him to layer flat shapes, creating increasingly complex structures. Simple forms combine to form a more elaborate whole. Inspiration comes mainly from a passion for typography, architecture, design, and the experience of everyday life shaped by his encounters with both Polish and Portuguese cultures.